Angel of the North
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It was the vision of Gateshead Council to create a landmark sculpture at the entrance to Tyneside, which culminated in The Angel of the North. Its wide, open arms greet visitors as they reach Gateshead, whether they come by road or rail.

The Angel of The North

Off the A1, Gateshead, Tyne & Wear - England, UK





The Angel of the North is the outstanding landmark to the entrance to Tyneside. Its wide, open arms

[ image: Wider than a Boeing 767 but definitely not meant to fly]

Wider than a Boeing 767 but definitely not meant to fly

give  visitors a warm hearted Geordie welcome as they reach Gateshead, whether they come by road or rail. The statue is now a World famous icon of the North East of England.

With a wingspan wider than a Boeing 767, the 20m high by 54m wide steel sculpture is now one of the World's  best known and most controversial landmarks. To stop the angel literally taking off in strong winds, the sculpture has been designed to withstand gusts of up to 100 miles an hour.

 Its silhouette at the head of the Team Valley rivals that of the famous Tyne Bridge. It can be clearly seen by more than 100,000 drivers a day on the A1 - more than

 one a second, which slows the traffic dramatically - and by passengers on the East Coast main line from London to Edinburgh  


The Angel of the North has been manufactured from a special weather resistant Cor-ten steel which contains a small amount of copper. The surface has oxidised with age producing a rich red, russet brown.

The Angel has World wide connections, Ove Arup & Partners who advised on the project had previously worked on the Sydney Opera House and the Lloyds building in London. The Angel was manufactured by Hartlepool Steel Fabrications who have worked on producing North Sea oil rigs and have recently finished renovating Middlesborough's Transporter Bridge which is in itself a very famous landmark because of its unique design and technical originality.




[ image: Built to last: if it stands for 100 years, between 10 - 20 million are expected to inspect the angel close-up.]

Built to last: if it stands for 100 years, between 10 - 20 million people are expected to inspect to see the angel close-up.

The Angel of the North is part of Gateshead Council's public art programme which now includes over thirty noted works of art. Other attractions in Gateshead for art lovers include the award-winning Riverside Sculture Park on the River Tyne, the Marking the Ways Sculpture Trail in the Great North Forest and the Shipley Art Gallery near the town centre.


Nearby attractions include the National Trust's historic Gibside Estate, three hundred acres of beautiful countryside at Derwent Walk Country Park, the Victorian splendour of Saltwell Park, Beamish Museum in County Durham and the Wildfowl and Wetlands Centre in Washington.


Some facts

The ‘Angel of the North’: It is made of weather resistant steel, containing copper, which forms a patina on the surface that mellows with age Below the structure are massive concrete piles 22 metres deep anchoring it to the solid rock beneath The body is hollow to allow for internal inspections with an access door high up on a shoulder blade It is built to last for more than 100 years and withstand winds of more than 100 miles per hour






About the Artist

[ image: Proud father: artist Antony Gormley spent £800,000, mostly Lottery money, on his baby]

Proud father: artist Antony Gormley spent £800,000,mostly Lottery money, on his baby

Antony Gormley was born in 1950, and is at the forefront of a generation of celebrated younger British artists who emerged during the 1980s. He has exhibited

 work around the world and has major public works in the USA, Japan, Australia, Norway and Eire. Public work in Britain can be seen in locations as diverse as the crypt at Winchester Cathedral and Birmingham city centre. In 1994 he won the prestigious Turner Prize. His work is currently on show in the Victoria and Albert Museum, Tate Gallery, British Museum and the Henry Moore Sculpture Gallery in Leeds.

Gormley has said of the Angel: “The hill top site is important and has the feeling of being a megalithic mound. When you think of the mining that was done underneath the site, there is a poetic resonance. Men worked beneath the surface in the dark. Now in the light, there is a celebration and visibility of this industry. “The face will not have individual features. The effect of the piece is in the alertness, the awareness of space and the gesture of the wings - they are not flat, they're about 3.5 degrees forward and give a sense of embrace.” “It is important to me that the Angel is rooted in the ground - the complete antithesis of what an angel is, floating about in the ether. It has an air of mystery. You make things because they cannot be said.” “I’m just very interested in loosening things up and making the world a more exciting place to live.”


February 10, 2016

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